Director of Research

Meru Foundation

When we can feel within ourselves the sacred path of a living point (a seed) that transcends itself by becoming a line (a tree), a surface (a leaf), a volume (a bud), and a hypersphere (a fruit with new seed inside itself), these same feelings can enable us to taste the transcendent for ourselves.

Among the many geometric forms that have been traditionally used as snapshots of the sacred, the triangular forms are very important. This is because we model wholes as circles, spheres, hyperspheres or cycles. In two dimensions, it takes three points define a particular circle. These three points take the form of a triangle. In three dimensions, it takes four points to define a sphere (a hyper-circle). These same four points also define a tetrahedron. In 4-D, a hypersphere is specified by a hypertetrahedron (a 5-cell) of points. The same rule, and the same "triangular" forms, are continued as we go up in dimension. There is a triangle for every circle and a tetrahedron for every sphere.

The Meru Foundation LAH Swath illustrates how the sequence of simple geometric forms, repeated over four dimensions, is part of a Great Flame of Life. LAH, which means flame in Arabic and Hebrew, is the second letter of the second Sura of the Quran. It is also understood as the traditional source of the Arabic Letters.

The LAH Swath takes the form of a special spiral vortex. This is the same vortex as is illustrated on each face of Meru Foundation's Shushon Flower (at the lower left in the Lah illustration.) Thus, the LAH Swath is embedded in the LAH Swath just as new seed is embedded in the fruit that grew on the tree that sprouted from its seed. This is the process of life: Acorn, Oak-Tree, Acorn, Oak-Tree, backwards and forwards in time as long as the Acorn/Oak-Tree life survives.

The LAH Swath illustrates the description in Genesis I.11:

by showing in sacred geometric metaphor (see the Meru video, Geometric Metaphors of Life) how a seed point unfolds into a fruit with new seeds.

- A seed-point is thrown out of the Shushon Flower. (This seed is not actually a point, it is itself a whole because it contains within itself the potential to grow. That is why we will later consider it to be a tetrahedral "triple-point.")
- The "zero"-dimensional seed-point grows by extending a line below (its root) and a line above (its stem)
- The one-dimensional (line-root and) line-stem grows as three branches. These become two-dimensional triangular-leaf surfaces (I.).
- The triangular-leaf surfaces, combined with the triple stems and the seed-point, define three-dimensional tetrahedron-volume buds (II.).

- The 8-vertices of the double-tetrahedron also define a cube (III.). (The original seed-point is actually tetrahedral. It combines with its projection, 1.-4., above, to produce the double-tetrahedron.)
- The 6-faces of the cube also define the vertices of an octahedron (IV.).
- The octahedron "jitterbugs" (R. Buckminster Fuller's term) into first an icosahedron (V.), and then
- into a cube-octahedron (VI.). Fuller calls the cube-octahedron the vector-equilibrium because it holds twelve radial vectors in equilibrium around its center. This unique twelve around one pattern is the "Thirteen Petaled Rose" referred to in the introduction to the classic kabbalistic work, the Sefer Zohar, the Book of Splendour.
- The cube-octahedron is the simplest 3-dimensional form that can pull through itself like a torus. When it does, it becomes encased in a dodecahedron, which splits open and throws out new seed to restart the process.

The specially designed vortex forms on the LAH Swath indicate how the geometric forms unfurl and connect to each other. (It is not logically consistent for these to be based on Golden Mean or Fibonacci spirals, for example, as bastardizers of the Meru Foundation work often claim.) They represent the path of growth of the process of life - just like the whole LAH Swath itself. These are the "lilies among thorns" also described in the introduction to the Sefer Zohar.

Meru Foundation has designed a three dimensional sculpture which we call "The Light in the Meeting Tent," "Naked Recursion," and "First Hand" that consists of our special spiral vortex in a tetrahedral vessel. This Meru sculpture is also intended to represent a "lily" in a "thorn." The vortex is the "lily" and the tetrahedron is the "thorn." (An actual rose thorn is similar to a tetrahedron.) Shadows (2-dimensional views) of Meru Foundation's specially designed three dimensional spiral vortex sculpture produce Meru Foundation's "Flame-Letter" font(s) of the Hebrew, Greek and Arabic alphabets.

The key to the entire process of the LAH Swath is contained in two related geometries. The double-triangle and the double-tetrahedron. Together they symbolize the process of dimensional unfoldment. The double-triangle is a hyper-triangle; it brings 2-dimensions into 3-dimensions. Likewise the double-tetrahedron is a hyper-tetrahedron; it brings 3-dimensions into 4-dimensions.

The whole process takes nine "triangular" stages. Another sacred form that expresses this same process of life is the Sri Yantra. The Sri Yantra is the creation mandala in the eastern traditions. It consists of 9-interpenetrating triangles, representing the union of the male and female principles. In the center of the Sri Yantra is a "bindu", toroidal point. The perimeter of the Sri Yantra is said to lie on a hypersphere. The Sri Yantra can be thought of as the Adamic grand-mother/father of both the double-triangle and the double-tetrahedron. The conventionally drawn Sri Yantra can be understood as an elaboration of the "Star of David" pattern made by the double-tetrahedron. Using a 4-symmetry (octahedral) form instead of the usual pentagonal 5-symmetry form to define the frame of the Sri Yantra, it is possible to transform the normally flattened Sri Yantra into a full 3-dimensional "meru" (world mountain) configuration by pulling it up from its center. (This is like turning a doughnut through its hole.) These is a sculpture of the "Octa-Yantra" on the Meru Foundation website also.

In Hebrew, the "Star of David", the double-triangle pattern, is known as the "Mogan David", which is usually translated to mean "star" or "shield" of David. But we can analyze the meaning of the Hebrew words to obtain a more precise meaning. The word translated as "star" or "shield" actually consists of two parts. "MoG" and "-aN". In Hebrew the root MoG is the root that means magician, as in Magus/magi, and it indicates "manifestation." The letter "M" means "source of" (M=Mem="sea/expanse") and the letter "G" (G=Gimel="camel") means "action" or "carrying." The final "N" means "to go on forever" (as in the English, "go on to the Nth degree".)

David, spelled Dalet ("D"), Vov ("F"), Dalet ("D") in Hebrew, means to repeatedly do (Vov, "F") what happens at a "delta", the English and Greek meaning of the Hebrew word "dalet." David represents dispensing and giving out. (A line-like river fans out into a two-dimensional plane as it dispenses itself into the sea at a delta.)

Thus, in Hebrew, the double-triangle, known as the Mogan David represents the "dispensation of ongoing manifestation." In other words, the double-triangle represents the way one dimension pours itself out into the next dimension just like the way a seed pours itself out until it becomes a fruit. This is the sacred process and the sacred path. It is an animation of the "hero's journey" expressed in a sequence of geometric snapshots.

**Stan Tenen,
Director of Research,
Meru Foundation **